Animals fill a
space nothing else can. They love you no matter what. They don't care what
your hair looks like or if you snort when you laugh really hard. It's very
difficult to get on an animal's nerves because you talked too much and
they'll never interrupt you in the middle of a story.
What writing(s) are you best known for? Could you please tell us about
them?
I have a fan list and most of them seem to read my romance novels. The one
I've received the most comments on is MAN OF MEANS. It's available right now
through Hard Shell Word Factory or via my website at www.lorisoard.com. I
think you can order from Amazon.com too.
I had to laugh about a year ago. I was visiting family in West Virginia and
one of my young cousins (I have thousands of them) had a friend who
recognized my name because he'd read an article in one of the educational
magazines. He was so excited. He wanted an autograph. He thought I was
really famous. It was fun. Now I know how intoxicating fame is and why so
many go after it LOL However, I don't think it would be fun in large doses.
I have an offer going on for my fans at the moment, where they can get a free
copy of my latest release, FOOLS FALL IN LOVE. They just need to send an
email to freebook@wordmuseum.com for details.
What is the goal of your writing?
My goal is always to tell the best story I can. I want to entertain the
reader and bring the characters to life. These characters live in my head
and if I can make them live in the reader's I've done my job. I want the
reader to set the book down, sigh, and come away with a warm, satisfied
feeling. You'll probably never see an unhappy or ambiguous ending in one of
my books. I like everything to come out well at the end of the story. I
think we get enough reality in real life. Why bother to read it?
How did you become a writer?
I've always written. Before I could write, I would make up stories as part
of my play. My mother remembers me telling her little, short tales when I
was just two-years-old. However, I didn't always plan to BE a writer. I
went to school and got the typical education degree. I majored in English
and planned to write in the summers--just for fun. It wasn't until I quit
work to stay home with my children that I started spending more time learning
the craft--translate, I was bored out of my mind. It was like a light bulb
going off when I realized that people were making money writing. Wow! I
could do what I loved and make money? From that point on, sheer
determination has driven me. Sometimes I make a decent salary and sometimes
not. In the end, it all balances out and I LOVE getting up and going to work
everyday. How many people can say that?
Did you learn from other writers? Which ones? Do you attend workshops and
seminars?
I have been very fortunate with the mentors I've had along the way. There
are so many authors that have helped me, I could never name them all.
However, two really stick out in my mind. Charlotte Maclay has always
supported and encouraged me to hang in there and keep trying--she still does.
She is more than happy to answer any question I've ever had for her. And
when I start thinking I'll never reach my writing goals, she cheers me on.
Fern Michaels has passed on her wisdom as well and has helped me see my
writing in a new light. She's critiqued my work when I couldn't quite figure
out what was missing. She is a brilliant writer, as you know if you've ever
read her work. Not only that, she is a wonderful person. She doesn't
advertise it but she does many good works and donates time and money to
causes she believes in. I think more than just being a good writer, she
models the type of person I'd like to be.
I still attend workshops, classes and conferences. I don't think we should
ever stop learning. When you stop learning you become stagnant. We can
always grow more as writers and as people. I just finished my dissertation
for my Ph.D. but I'm already planning to go back and take some journalism
courses I missed as an undergrad.
What themes do you pursue in your writing? What are your concerns?
Of course the biggest theme is that love conquers all. I've touched on
dealing with Alzheimer's, diabetes, raising children, custody issues, fear of
commitment, and dealing with death. Typically, whatever cause interests me
at the moment, I will weave into my work. As writers, the most important
part of our job is to leave our stamp on the world. Is it preaching at the
reader? Maybe. I prefer to see it as offering my unique outlook--my
individual perspective--I can offer something that no one else can and that
is the way Lori Soard looks at the world. I have very firm beliefs about
certain things and those come through in my writing--I'm not sure how you
could help that unless you were writing a nonfiction article. In fiction,
your characters hold a piece or two of YOU, so it's a lot harder to separate.
My concerns at the moment are literacy and breast cancer. I am weaving both
issues into my current book but they won't overwhelm the story.
What are you working on now? Do you have an agent?
I am currently completing revisions on a romance and working on a single
title, romantic suspense. I do not have an agent at this time. My first
agent left a bad taste in my mouth and I promised myself I would only get an
agent when I can have the ONE I want. If I can't have her, then I will
represent myself. As you can probably tell, I'm not shy, so I haven't had
many doors closed by not having an agent. I may change my mind if a few get
slammed in my face. My philosophy is that I'll jump off that bridge when I
come to it.
Do you have any other thoughts that you'd like to pass on?
If you have a desire--a passion--whether it is writing or something else,
don't let anyone talk you out of it. If we could all follow our dreams, we
wouldn't all be successful but we'd be happier for it. It's better to try
and fail than to never try and wonder what could have been.
Read an extract from Man of Means:
Prologue
The ancient trunk had been passed down in the Mayker family for as long as Madge could remember. The inscription on the lid etched there by some primitive Mayker, the books lovingly placed within, the wooden vessel passed from one daughter to the next for guardianship.
Brushing dust off the letters, Madge read them aloud, "Those Who Read These Tomes Will Find The Miracle of Love." She let the words settle into the still air, their magic soothing her.
Madge lifted the lid, rusty hinges creaking into the silence of the damp attic. She reached inside and pulled loose a dusty volume, noticing the blue veins covering the back of her hands and the slight tremble. Soon her time in this world would be gone. She sighed. Who would she pass the trunk to? She had no daughters of her own, having never been married.
She traced the slightly raised title on a navy blue book jacket, and smiled. She remembered the first person she’d given the magic of this particular book. They’d found true love despite the advice found in it.
Remembering snippets of people who had flitted in and out of her life over the years, she held each book tenderly before replacing it in the shadowy interior. When she came to the last book, her heart thudded with a dull ache. Her nephew had read this one. He was gone now, as were so many people she had loved.
But he had left three daughters. A feeling of peace washed over her, like gentle waves lapping at a sandy beach. Yes, she would leave the trunk to one of his daughters, the oldest daughter, as had been the tradition from the beginning. She supposed that not having daughters of her own, it would be acceptable to make her niece the keeper of the miracle.